meta-linguistics

Loretta Young & James Cagney in 1932's 'Taxi'.

Charlotte Greenwood

(Frances) Charlotte Greenwood, *25 June 1890 + 28 December 1977.

Charlotte at MGM in 1928.

Bert Lahr & Charlotte in 'Flying high' 1931.

Jackie Gleason & Miss Greenwood in 'Spring time in the Rockies' 1942.

'Wake up and dream' 1946. 

Miss Long Legs: In appreciation of Charlotte Greenwood

18 November 2015

There are some things in classic films that make you wonder why that was ever considered entertaining. Early on one of those things for me was Charlotte Greenwood. This sounds like a pretty rude way to introduce this post but I know I’m not the only one who considered her an oddity. Her big solo numbers were all the same, Charlotte would sing and kick but it wasn’t any ordinary kick, these were high kicks. They seemed so weird but then I remembered this woman was displaying incredible athleticism and she was a woman! Women were supposed to be prim and proper in 1940’s but Charlotte teared down that notion. Charlotte could lift a leg above her head at a 90-degree angle to her body and she wasn’t very young either. She was doing this in her 50’s! It’s incredible.

Charlotte Greenwood first caught my eye in the Betty Grable musical, 'Down Argentine Way'. She played a lot of the same roles in these Fox musicals but she did them all so well. The characters she played are hilarious! With her deadpan sense of humor, she always had the best, witty line in a scene but she could also be loyal and maternal to Grable, Alice Faye, basically any of the FOX beauties of the 1940’s portraying their aunts, close friends, chaperones or even mothers. Then, of course, she’d have her own solo number where she showed off her voice and high kicks. But Charlotte’s characters weren’t shrews either. Charlotte Greenwood is quite the feminist. In her films, she may be a chaperone or an aunt but she had always had a love interest. Life didn’t end at 50 for Charlotte Greenwood. She essentially began a new life in Technicolor. Her characters were active, independent and carefree. 

One of my favorite Charlotte Greenwood numbers is in ‘Springtime in the Rockies.’ In her solo number, her character Phoebe is left alone at a fancy party. To cope with this feeling of isolation, she gets drunk and does her signature high-kick dance in front of a crowd. It’s a sort of musical number within a nightclub where the fourth wall is torn and we, as an audience, realize it was an act. What I love about it is that it defies the notion of what we expect a woman in her fifties to be.

Charlotte had a long career but is mostly remembered for her work in Fox’s wartime musicals. She got her start in vaudeville at the turn on the century. She gained attention with her show ‘So long, Letty’ in 1916. That established the Letty character, a wise-cracking gal who chases men but also has a good heart. At 5’10, she used her stature to her advantage with her signature routine earning her the nickname “Lady Longlegs.” A string of Letty stageshows followed on Broadway and then she would start in silent films. Her popularity was so big that she was invited to breakfast at the White House.

She would take her talents overseas to London where she enjoyed a successful career onstage and in film. When she returned to Hollywood, a whole new audience discovered Charlotte in a string of Fox films. She would appear in some of the eras biggest hits: 'Springtime in the Rockies', 'The gang’s all here', and 'Moon over Miami' among others. She would eventually retire in 1956 when she went out with a bang. She would portray Aunt Eller in 'Oklahoma!', a role many consider to be her finest hour. It’s in this film you get the famous high kicks but you also get a deeply nuanced performance showcasing Charlotte as a great dramatic actress. It’s a perfect ending to a long, eclectic career.

Charlotte Greenwood may have had me scratching my head when I first discovered her but I was no doubt intrigued by this long legged woman. She was a truly unique talent, a one-of-a-kind that we will probably never see again. What made Charlotte such a hit was she was herself. From her brash personality in her film roles to her bravery in her musical numbers, she taught us that we should stick to our guns and not be afraid to show a little leg.

This post was a contribution to the 'What a character!' Blogathon hosted by Once Upon a Screen, Outspoken and Freckled, and Paula’s Cinema Club.

Gangsters

Edward G.Robinson & James Cagney. 

'Smart money', 1931. 

Jean Harlow, Eddie Woods & James Cagney in 'Public enemy', 1931. 

James Cagney was born on 17 July 1899.

Freaks

Olga Baclanova as Cleopatra & Harry Earles as Hans in Tod Browning's 'Freaks', 1932.

Olga Baclanova * 9 August 1896 + 6 September 1974.

Olga Baclanova photographed by Edward Steichen for 'Vanity Fair' 1929.

Hollywood couples

Thelma Todd & Cary Grant in 'This is the night', 1932. 

Joel McCrea & Kay Francis in George Cukor's 'Girls about town', 1931. 

Joel Albert McCrea (* 5 November 1905 + 20 October 1990)

Kay Francis aka Katherine Edwina Gibbs (* 13 January 1905 + 26 August 1968)

Richard Allen & Fay Wry in 'The sea god', 1931. 

Groucho & Harpo

Groucho, Harpo & Friend... 

Groucho née Julius Henry Marx (* 2nd October 1890 + 19 August 1977).

Harpo née Adolph Marx (* 23rd November 1888 + 28 September 1964).

Mr. Hyde's quiet tea break...

Frederic March (as Mr. Hyde) has his afternoon tea with director Rouben Mamoulian & Miriam Hopkins on the set of 'Dr. Jekyl & Mr. Hyde' in 1931.

March as handsome Dr. Jekyl.

Boris Karloff is made up as the Monster by Jack Pierce in the set of 'Bride of Frankenstein' in 1935.

Judith Anderson in 1930

Australian actress Judith Anderson in 1930.

Jovem Guarda galore

'O Cruzeiro' 5 August 1967: from left to right: Carlos Imperial the man who introduced rock'n'roll in Rio de Janeiro and his young followers: Roberto Carlos & Erasmo Carlos. 

'O Cruzeiro' 2nd March 1968 - Roberto Carlos embraces Wanderlea  & Erasmo Carlos while his mother Lady Laura watches on her son arrival from Italy where he sang Sergio Endrigo's 'Canzone per te' which won Festival di San Remo 1968.

'O Cruzeiro', 15 January 1981 - Roberto Carlos and singer Katia that took Roberto Carlos' 'Lembranças' to #1 in the charts... 'Já faz tanto tempo que não sou o que, na verdade, eu nem cheguei a ser'...

TV Sul - 1st April 1966.

Betty Boop

Helen Kane, inspiration for Betty Boop...